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Mummification Primer
by Rob Cole as extracted from Leather News

other mummification / sensory deprivation related links


The Erotic Mummification of Russell

exploration in sensory deprivation and sensory modification

Russell, a exquisite submissive, offered himself up to a group of 25 or so persons, each of diverse and varying persuasions, so that we all might learn the art of Erotic Mummification.

As we moved to take our seats, our eyes consumed the supplies laid out for display on the stage table. Blindfold, clamps, blanket, tape, weights, cock ring, special bandage:vet wrap, lots of plastic wrap, in colors.and towels. The smiles and the excited whispers let each other know we were all eager to see and learn what the day's demonstration held for us.

Jeff, the founder of HEEL (Houston Encourages and Educates in Leather) and the M.C. for the meeting, introduced to us Trish, the moderator of today's demonstration.

Trish, a member of HPEP(Houston People Exchanging Power) and The Bound Collective, as well as being a well known figure in the local scene, introduced us to Chris, a gentleman with great experience in erotic mummification, giving and receiving, and to Russell, a member of NLA and our "mummy" for the day.

To start the lesson, Trish, Chris and Jeff gave us numerous safety tips:

Be Safe: Know your partner, know their history, medical and emotional. Can they handle confined spaces, or lack of movement. How is their breathing, or their stamina.

Don't Impede Breathing: Make sure the mouth and nose area is not covered.

Watch Body Temperature: The wrapping increases body temperature, just as a sauna does

Stability: Wrapping from the top down, when starting from the feet up, the ability to balance becomes difficult.

Lung Capacity: Have the subject fill their lungs with air when you wrap the chest, that way they have a comfort zone.

Removing from wrapping: Remember the body temperature has been elevated while wrapped, and even room temperature is going to be cold, have a blanket to wrap the subject in to allow them to adjust back to normal.

After covering these safety tips, Trish pointed out that erotic mummification plays with the most potent sex organ, the mind. The subject in most cases sinks deep into their mind, becoming embryonic, encased in the womb of their mind, safe, protected, warm and at peace. They reach a meditative spot.

Chris began wrapping Russell with plastic wrap, as Trish let the audience know that this was negotiated in advance, along with some specific "play" between Trish and Russell for the purpose of the demonstration.

The wrapping material used this day was plastic wrap, such as Glad Wrap "or Saran Wrap ". Chris let us know we could by larger rolls at resturant supply stores or discount grocerers.

Jeff pointed out that there are other materials that are available and your only limits where the safety issues and your imagination. His suggestions included; white sheets, colored plastic wrap, lycra, spandex or even Bubblewrap (everyone loves to pop the bubbles).

Chris began wrapping Russell, and he explained that you can do a wrapping quickly, as he was doing, or a bit slower to present a more aesthetic presentation. Chris said he preferred quickly to make sure the subject is secure and safe. While this was going on, Trish had inserted a towel between Russell's knees and ankles, to provide a level of comfort and to take away some pressure points. Trish said that you can wrap the hands as Chris had done, or use latex gloves so that each finger is separate.

Russell was standing while being wrapped, agreeably, not the most stable of positions. Trish commented that while most subjects are wrapped standing then lain down, today for the purpose of the demo, they would secure Russell in an upright position. To do this, there was a large cage prop on the stage, they secured Russell to the cage with more plastic wrap, so he would not topple over.

To enhance the lack of sensation, suggestions of blindfolds, ear plugs or ear phones with music, and special scents, each item chosen to deepen the feeling of being removed from the reality around you.

Trish demonstrated a safe way to remove the wrap from areas of the body for erotic stimulation; pieces of crumpled tape had been placed over Russell's nipples, making it easier for Trish; with a pair of medical scissors, to cut the wrap away, exposing the nipples to air.

Adding a special Wrap to Russell's head was Trish's next step. She used a product called Vet Wrap, a sticky thick gauze type material available in most tack stores and Vet supply's, this is the material most commonly used to wrap the fetlocks of horses. Trish used this material to wrap Russell's head, leaving mouth, nose and eyes exposed.

As Trish wrapped Russell's head, she explained that since some cock and ball torture had been negotiated, the groin area had been purposefully left exposed, but in the same frame of mind, it could have been left covered and exposed with the wrap being cut away with the scissors as was the nipple area done.

At this point, an intermission was called, giving Trish and Russell a bit of privacy for the remainder of their negotiated scene, and some time for direct caring and communication between them.

When returning from the intermission and taking our seats, we all noticed the special glow eminating from Russell. Trish began at this time removing him from the wrap, again using the medical scissors, the flat side perfect against the skin as you cut through the plastic wrap.

When Russell emerged from the wrap, his eyes glowed and sparkled, he seemed very much at peace. Trish nutured and helped him back from sub space. Russell positively glowed from the experience. He spoke briefly of his first experience with wrapping when younger and how this would always be an erotic experience for him.

This reporter got the sense it was like a cleansing.. a coming out.. a rebirth. I liken it alot to the butterfly emerging from a cocoon. I could see myself.. after all the changing i am trying to do..

being wrapped.. tight with all this "stuff".. represented by the saran wrap and i shed or deal with or integrate it till it is gone..

then the wrapping is cut away.. and i am new.. whole..

All who watched thank Trish, Chris, Russell and Jeff for their expertise, time and the sharing of such a moving and beautiful experience. And from all the overheard comments that afternoon, many of those in attendance now wish to experience Erotic Mummification.

lil pet


MUMMIFICATION PRIMER

By Rob Cole

as extractrd from LeatherNews

Mummification - completely wrapping or encasing the body in any of several materials - is among those activities generally known as "edge play." It is one of the most intense forms of bondage, producing a state of total helplessness which literally puts the bottom's life in the hands of the top.

Paradoxically, for those who enjoy bondage, it can also be an intensely pleasurable activity, creating sensations of floating in a kind of dreamland in which time and space seem suspended. Some bottoms may have "out-of-body experiences" in which they may find themselves seemingly floating above and looking down on their bodies. A good subject who is really "into it" can be left mummified for several hours, and may even protest being released. On the other hand, mummification can be sheer hell, as well as extremely dangerous, for anyone inclined to claustrophobia or with any kind of cardiac or breathing problem, leading to uncontrollable panic which can produce heart attacks or long-lasting emotional trauma.

Mummification is often called a bottom trip, because of the disproportionately heavy demands it places on the top. For safety, the top should never be out of sight of the subject for more than a few minutes at a time, which can obviously be boring for the top in an hours-long mummification. But various forms of light to heavy stimulation can be used for the top's entertainment, and the bottom's genitals and nipples are usually left exposed for this purpose. Light stimulation is, of course, the most rewarding for the bottom. The top should keep in mind, whatever his inclinations, that the bottom's restricted sensory input and helplessness will combine to magnify everything he is made to feel, and heavy stimulation can push even a good subject into panic.

One of the most common materials used for mummification is ordinary Saran wrap reinforced with cloth tape, such as duct tape. Both can be obtained in several colors. Other things that can be used include Ace bandages, thin latex strips, and even gauze and plaster of paris. The latter, of course, produces a hard shell which can be laborious to remove and is particularly chancy in the event of panic attacks or breathing problems.

All these materials trap body heat and can cause severe dehydration.

Mummification should not be done in a hot room - 80 degrees or more - or in direct sunlight. A fan can be used to help keep body heat down but will be limited in its effectiveness when a non-porous material such as Saran wrap is used. Overly tight wrappings can restrict breathing and circulation. When the chest is wrapped, it's a good idea to ask the bottom to breathe deeply and/or push out his chest. The throat should not be tightly wrapped, and if the Saran wrap/duct tape combination is used, the tape should not be applied tightly around the chest area or around the throat. Either the nose or mouth obviously must be left uncovered and if the mouth is covered or a gag is used, the top should make sure the bottom has no problem breathing through the nose. It's best to lay the mummified bottom in a horizontal position on his back, since any other position can aggravate breathing or circulation problems. A pillow or folded towel should be placed under the back of the head, especially if the subject is at all round-shouldered, to keep the throat from being constricted. The mummified bottom should be placed on a padded surface unless the top wants him to experience the additional discomfort of lying on a hard surface.

Even with all these precautions, the top should check the bottom's chest frequently for normal breathing, the hands and feet periodically for cyanosis (blueness) or excessive coldness, which can occur even when the subject is overheated, and the heartbeat for any obvious irregularities.

Even a non-doctor can detect things such as heavy pounding, speeding and slowing, or a very rapid thready fluttering, which could indicate a life-threatening condition called arrhythmia. If a problem does occur, the top should be prepared to remove part or all of the wrapping immediately. When Saran wrap, latex or bandages are used, it's a good idea to obtain and have handy a pair of surgical scissors, the kind with the tip of one of the blades blunted so it can be inserted under the wrapping with less hazard of cutting the skin. If the bottom is panicking, it's generally best to stroke his body lightly and speak to him soothingly - talk him down - until he calms somewhat, before releasing him. Otherwise his struggles can impede the top's attempts to remove the wrappings and he may injure himself or the top. Whether the bottom is being released because of a problem or at the scheduled end of a mummification session, a responsible top will sit with the bottom, embrace or hold him, and talk to him calmly and gently as long as needed to ease his transition "back to the world."

Mummification is best done by two tops or a top and a helper, starting out with the subject standing. His hands can initially be secured overhis head, or he can be ordered to hold his arms tightly against hissides. The arms and legs, and even the fingers and toes, can be wrappedseparately to heighten the bottom's sense of isolation and separation from his surroundings. A more common approach is to wrap the armsagainst the body and the legs together, with folded towels or otherstrips of cloth between the legs and between the arms and the body. Thistechnique has the advantage of absorbing some of the sweat that will be trapped between the wrappings and the bottom's skin. A folded cloth or blindfold should be placed over the eyes.

A good technique is to start Saran wrap over the lower belly, proceedingupward to the neck, with the second top or helper assisting in winding the roll of plastic around the body and helping to steady the bottom onhis feet. Since the plastic will adhere to itself, placing the reinforcing tape can be deferred until most of the area is covered. Theplastic strip can be twisted 180 degrees periodically to help keep it flat against the body, and/or cut such as to cover the shoulders. With the upper body covered, the neck can be wrapped loosely, again making sure the bottom's breathing is not restricted, and strips of plastic cutto form a cap or hood over the head and around the chin, then secured with tape. The reinforcing tape should not be allowed to touch the skinunless the top wants the bottom to experience the discomfort of removing it later - which can obviously be considerable if body hair is involved.

During all the preceding, the bottom can be allowed to keep his feet far enough apart to keep his balance, although he may become disoriented even so. But he must now be made to bring his feet closely together,holding the towel between his legs if one is used. The Saran wrap is then wound from the lower abdomen down to the feet and secured withtape, with the helper steadying the bottom on his feet. The top and thehelper then tilt the bottom's body back and lower him to whatever horizontal surface has been prepared. The feet can then be wrapped and taped, or left uncovered to help vent and cool the bottom's body. Of course, uncovered feet and toes are also available for stimulation.

At this point, the genitals and nipples can be uncovered by carefully cutting holes in the wrapping, which might or might not then be outlinedor edged with tape.

Although I've attempted to cover enough of the mummification process and its hazards to allow an inexperienced top to do it safely, it's still agood idea not to try it for the first time without expert supervisionand guidance.


An additional Mummification Link

Mummification by Gil Kessler


lil^ pet on electricity

 

 

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